This body of work originates from contemporary and ancient maps of the British Isles. Tracings and images of geological, political and weather maps are transformed through handwork processes then suspended, stretched or compressed within a space or frame, changing the reading of them from maps into something wholly different in character and interpretation.

Work is developed through altered focus, use of light, layers or through intrusion of material. A hint of presence and vulnerability is sometimes suggested through materials such as soot.

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